视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。本片讲述了洪有田下海经商包工被骗致使血本无归并遭到乡亲们的埋怨与追债，从此一蹶不振，并常常借酒消愁。妻子王桂花因无法忍受其恶习，决定带着女儿离家出走。书记梁大鹏在了解到洪有田家里的情况后，帮助他重新振作。最后，经过梁书记的调解，洪有田与妻子破镜重圆……。程岳是一位极具天赋的钢琴天才，尽管家境贫苦，但他依然靠着自己的努力和母亲的扶持走到了如今光芒闪耀的地位，他暗恋着大提琴手颜睿珊，却意外发现自己的好友李世传亦爱慕着颜睿珊，失意的程岳决定将这份感情深深埋藏在心底。 一场意外的车祸让程岳的手受到了无法挽回的伤害，他因此而失去了继续演奏钢琴的能力，人生陷入了虚无和无意义之中，绝望的程岳决定踏上流浪的旅途。一次偶然中，程岳结识了名为董小鹿的女孩，随着时间的推移，董小鹿的活泼和开朗渐渐化解了程岳心中的阴霾，两人慢慢走到了一起，然而，程岳并不知道，此时的董小鹿早已经患上了不治之症，时日无多。。
